CLASSICAL MUSIC ANYONE?


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Beelzebub is offline Beelzebub Post #21  January 13,2009, 5:21pm
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As Nixon used to say, "I'm glad you asked that question."





Music has, and always will be, my first love. I was introduced to classical music at a very young age; in fact, Swan Lake was the first musical work that I became famliar with at the ripe age of five. My mother says I was so enthralled by it that I wanted to take our record of it to kindergarten for Show and Tell (can't recall if I actually did or not).





I studied piano and theory with my grandmother as a kid. She was a pianist herself and was in dominant seventh heaven when she realized I was musically inclined (we had enough engineers in the family already). Then in sixth grade, I began taking drum lessons. It wasn't until I entered high school that it all came together, so to speak. My band director was a percussionist and a Juillard graduate, and when he found out I had absloute pitch, he suggested I play timpani. Well, as they say, the rest is history. I went on to major in music in college and while my daily job is in the real world, I never put the timpani mallets away and today am timpanist of a Denver orchestra (no, not the Colorado Symphony). Last summer I saw my old band director for the first time in over 30 years and was able to tell him that thanks to him, I'm still playing timpani today.





Beethoven ranks first among my favorite composers. He knew how to write for timpani. Chaikovsky (the T is unneccesary, so I read) is up there, too, along with Brahms, Dvorak and Mendelssohn. Over the years I've played much of the standard repertoire. I've done the entire Nutcracker twice and know it inside out. Mozart is wonderful, but IMHO it's almost too pure, although I LOVEthe alla turca movement from his A Major piano sonata, K331. Although I'm not much of an opera buff, Marriage of Figaro is my favorite - mainly because no one dies.





I was always strong in theory and love to talk music, but I can count on one hand the number of people I know with whom I can talkmusic in depth. Once I get going, good luck trying to shut me up! It's like trying to recork a gushing champagne bottle.
>>As Nixon used to say, "I'm glad you asked that question.">>


heh heh heh heh ...


>>my grandmother ... was a pianist herself and was in dominant seventh heaven when she realized I was musically inclined.>>>


Hey, a passing 6-4 to ya.


>>I'm still playing timpani today.>>


I'm a 3rd world immigrant, and my folks would never allow me to take up music as a main occupation. So I'm strictly a hobbyist.


>>Beethoven ranks first among my favorite composers. He knew how to write for timpani. Chaikovsky (the T is unneccesary, so I read) is up there, too, along with Brahms, Dvorak and Mendelssohn.>>


Oh man, you make me hungry! (I have to say Bach has written some fabulous stuff for three trumpets and tympani.)


>>Although I'm not much of an opera buff, Marriage of Figaro is my favorite - mainly because no one dies.>>


It is a brilliant opera at many levels.


I have some German friends, and I'm willing to believe that some of the humor comes across a little better in German, and to German speakers. But even in translation, every character is lovable, even the Count, who is the rascal whom everyone is trying to subvert (including his wife)! If only one opera is to survive the next holocaust, let it be Figaro!


>>I was always strong in theory and love to talk music, but I can count on one hand the number of people I know with whom I can talkmusic in depth. Once I get going, good luck trying to shut me up! It's like trying to recork a gushing champagne bottle.>>


Well, talking theory is a lot less fun than doing theory. I get a lot of kicks trying to reconstruct something complex, like Vocalise, by Rachmaninof! It is a combination of the ear and whatever knowledge of harmony you may have. (The bass line of that sort of piece, obviously, is not just from all root position chords! That's what makes it interesting. I had a wonderful time trying to figure out the harmony of Nimrod, from the Elgar Enigmar Variations. I just couldn't do it, but when I saw the music, I said, ah yes. I should have listened harder.)





Beelzebub, listening to Janet Baker
 
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Braveslady is offline Braveslady Post #22  January 15,2009, 7:11pm
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"Adagio for Strings" will take you on an emotional journey, but make sure youspend a "Night on Bare (Bald) Mountain" first. If you are not too exhausted the next morning, you should rest up for the "Dance of the Witches Sabbath". While lying spent on the ground, let your eyes roam the sky looking for "Jupiter". Do not worry about sleep, for it will be yours like the"Rite of Spring". If you still find yourself itching for another excursion, take a few friends along - namely "Peter and the Wolf".


 
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56Steve is offline 56Steve Post #23  January 16,2009, 8:03pm
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I've played Night on Bald Mountain and Peter and the Wolf. Berlioz' Sumphonie Fantastique is one piece I would LOVE to play someday. The fifth movement is the aforementioned Dream of a Witches Sabbath. I haven't played Jupiter, but I have played Mars - the band version, anyway.
 
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56Steve is offline 56Steve Post #24  January 16,2009, 8:06pm
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As Nixon used to say, "I'm glad you asked that question."





Music has, and always will be, my first love. I was introduced to classical music at a very young age; in fact, Swan Lake was the first musical work that I became famliar with at the ripe age of five. My mother says I was so enthralled by it that I wanted to take our record of it to kindergarten for Show and Tell (can't recall if I actually did or not).





I studied piano and theory with my grandmother as a kid. She was a pianist herself and was in dominant seventh heaven when she realized I was musically inclined (we had enough engineers in the family already). Then in sixth grade, I began taking drum lessons. It wasn't until I entered high school that it all came together, so to speak. My band director was a percussionist and a Juillard graduate, and when he found out I had absloute pitch, he suggested I play timpani. Well, as they say, the rest is history. I went on to major in music in college and while my daily job is in the real world, I never put the timpani mallets away and today am timpanist of a Denver orchestra (no, not the Colorado Symphony). Last summer I saw my old band director for the first time in over 30 years and was able to tell him that thanks to him, I'm still playing timpani today.





Beethoven ranks first among my favorite composers. He knew how to write for timpani. Chaikovsky (the T is unneccesary, so I read) is up there, too, along with Brahms, Dvorak and Mendelssohn. Over the years I've played much of the standard repertoire. I've done the entire Nutcracker twice and know it inside out. Mozart is wonderful, but IMHO it's almost too pure, although I LOVEthe alla turca movement from his A Major piano sonata, K331. Although I'm not much of an opera buff, Marriage of Figaro is my favorite - mainly because no one dies.





I was always strong in theory and love to talk music, but I can count on one hand the number of people I know with whom I can talkmusic in depth. Once I get going, good luck trying to shut me up! It's like trying to recork a gushing champagne bottle.


>>As Nixon used to say, "I'm glad you asked that question.">>


heh heh heh heh ...


>>my grandmother ... was a pianist herself and was in dominant seventh heaven when she realized I was musically inclined.>>>


Hey, a passing 6-4 to ya.


>>I'm still playing timpani today.>>


I'm a 3rd world immigrant, and my folks would never allow me to take up music as a main occupation. So I'm strictly a hobbyist.


>>Beethoven ranks first among my favorite composers. He knew how to write for timpani. Chaikovsky (the T is unneccesary, so I read) is up there, too, along with Brahms, Dvorak and Mendelssohn.>>


Oh man, you make me hungry! (I have to say Bach has written some fabulous stuff for three trumpets and tympani.)


>>Although I'm not much of an opera buff, Marriage of Figaro is my favorite - mainly because no one dies.>>


It is a brilliant opera at many levels.


I have some German friends, and I'm willing to believe that some of the humor comes across a little better in German, and to German speakers. But even in translation, every character is lovable, even the Count, who is the rascal whom everyone is trying to subvert (including his wife)! If only one opera is to survive the next holocaust, let it be Figaro!


>>I was always strong in theory and love to talk music, but I can count on one hand the number of people I know with whom I can talkmusic in depth. Once I get going, good luck trying to shut me up! It's like trying to recork a gushing champagne bottle.>>


Well, talking theory is a lot less fun than doing theory. I get a lot of kicks trying to reconstruct something complex, like Vocalise, by Rachmaninof! It is a combination of the ear and whatever knowledge of harmony you may have. (The bass line of that sort of piece, obviously, is not just from all root position chords! That's what makes it interesting. I had a wonderful time trying to figure out the harmony of Nimrod, from the Elgar Enigmar Variations. I just couldn't do it, but when I saw the music, I said, ah yes. I should have listened harder.)





Beelzebub, listening to Janet Baker
I'll bet you know what comes after a I 6-4 chord in a concerto, right? Why, the cadenza, of course!





Thankfully, my folks did not believe in the old world philosophy that if you're not a doctor or engineer, you're nobody. And they're from the old country, too!
 
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vlnman is offline vlnman Post #25  January 17,2009, 6:18am
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My profile I guess gives me away...I've been into the classical music world since around age 7. I still play professionally but only part time now. I played in thesymphony. operaand theatre world back in the eighties and had a few rounds as a session musician. Always looking to meet new friends in the music world...I've even found a couple old friends through the online dating process....rather amazing.
 
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divinadonna is offline divinadonna Post #26  January 23,2009, 1:46pm
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Glad to find a group of classical music lovers! I'm into Mozart at the moment!
 
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bac1978 is offline bac1978 Post #27  January 24,2009, 5:04pm
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hello all...I'm a percussionist my specialty being the marimba. As far as classical music goes...I love the Russians....Shostakovich, Stravinsky, Tchaikovsky, Mussorsky....etc....





Brian
 
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PY is offline PY Post #28  January 24,2009, 5:36pm

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I started playing piano when I was little....classical. But quit after a few years and moved on to something more freeing....jazz, pop, etc. Now I mainly play for myself and/or worship team at my church.
 
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Derulux is offline Derulux Post #29  January 24,2009, 5:54pm
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New guy, here.. figure I'll make my first splash on this thread.


I am an out-of-work musician (read: "I am a sales rep for a major corporation and have no time to work as a musician"). When I was younger, I played every brass instrument in the orchestra, but settled on trumpet as my primary. It's odd, I love the sound of the french horn, but couldn't stand physically playing the instrument. It drove me nuts. So I played trumpet instead.


I am also a pianist.. a far better pianist than brassist. That is mostly because I still play the piano. Among my tackled composers are the "big five": Mozart, Beethoven, Chopin, Liszt, Rachmaninoff. I've played some extremely difficult repertoire, including several of the Liszt Transcendental Etudes and Rachmaninoff's Piano Concerto No 2 (with orchestra). That was probably the highlight of my playing.. there is nothing like playing with 95 other people and making one sound. That was just a great experience.


Anyone have any recordings?
 
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frenchguy is offline frenchguy Post #30  January 24,2009, 5:56pm
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I love classical music specially Opera, like Anna Netrebko, June Anderson, Maria Callas, Luciano Pavarotti, Joahn Sutherland and Ramon Varges...
 
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